Registration has been disabled and the moderation extension has been turned off.
Contact an admin on Discord or EDF if you want an account. Also fuck bots.

Chekhov's Gun

From Encyclopedia Dramatica
This is an old revision of this page, as edited by imported>Hagibor at 19:41, 2 April 2018. It may differ significantly from the current revision.
Jump to navigationJump to search

Chechov's Gun is a principal in literature and writing that states that if an element is introduced to a story then it must be used or else the audience, or reader, will feel cheated or become disapointed in the story, feeling that they were lied to, because they built up some expectations around the element.

The rule is simple. If this is shown to the audience then it must be used.

This rule gets its name from some letters Anton Chekhov wrote to Aleksandr Semenovich Lazarev critiquing a play of his. In one letter he told a Aleksandr to remove everything from the scenery that is not relevant to the story. In the letter, Chekhov told Aleksandr that the gun he has hanginging over the door makes a false promise to the audience. The audience, Chekhov said, will assume there is a reason for its being there and it will be used to develop the story in some way.

Chekhov finished by saying that "You should not introduce an element to a story unless it is going to help resolve or move the plot forward. If you start a play with a Gun on a table, then one of tge characters must An hero before the end of the first act."


Applications Of Chekhov's Gun In Writing

The Couple

 
Chekhov's Gun states that since these 2 are always fighting, sooner or later they should be fucking like a Boogle of weasels high on Spanish Fly.

If a Man and a Woman spend considerable time together in a story then they must have sex or get together as a couple.

Some examples:

  • In "Can't Hardly Wait" Kenny and Denise have to Screw because they were trapped in a bathroom all night.
  • In The Empire Strikes Back, Han and Leah get together because they are alone together for 75% of the movie and the only person that can throw a Cockblock is a robot that can be conveniently shut off.
  • in Evangelion, Shinji is the first boy that Asuka is introduced to that is her age which is why she pines for his Loser ass. Some people have suggested that the reason why fans of Evangelion hate Shinji so much is because Evangelion ignores Chekhov's Gun and the show ends with him never manning up and painting a Hawaiian map on either Asuka or Rei's ass. According to literary experts, "The reason you feel dissapointed in Shinji is because you are disapointed by the false promise the story made when it offered up potential couples and didn't pay off."
  • In Robotech, Rick is introduced to Min Mei and Lisa in the first 10 minutes. This also follows another rule, "If they fight, then they'll fuck." Because Rick and Lisa spend so much of the early episodes fighting and hating each other, the audience will want there to be something between them."
  • In Doctor Who, the first girl that the Doctor meets, in a new story arc, will become his companion but the Doctor won't Sexor them because he doesn't like girls. The first girl the Ninth Doctor met was Rose. When Rose leaves, Donna Noble teleports into the TARDIS OF THE TENTH Doctor. When Martha becomes his companion, the episode begins with the Dr walking up to her and giving her his tie. Also, as Chekhov's Gun states, the tie serves a purpose and is explained at the end of the episode because it had been introduced at the beginning.

It Will All Make Sense Later

 
Chekhov's Couple rule

In this version of Chekhov's Gun, an item of some sort is given to the character or is revealed by them. When the character takes possession of the item it seems almost arbitrary and unimportant and the character might even suggest that it is a waste of their time or even a worthless piece of Shit.. As the story moves on, the importance of the object will become apparent when it resolves a problem for the character.

  • In "Spirited Away" when Chihiro reads the card that came with the bouquet that her classmates gave her as a thank you for finally taking their advice and leaving, the first word spoken is her name. It's not until Yubaba hires Chihiro, changes Chihiro's name to Sen and puts her to work at her bath house either giving happy endings to all the rich customers with a Japanese School girl fetish or as a serving plate for sushi rolls that it's discovered that Yubaba's control lies in that she takes possesion of a person by taking possession of their real name. When Haku gives Sen her street clothes back to her, she finds the card from the bouquet in them and remembers that her name is actually Chihiro.

The Protagonist Must Win

[[1]]

People do not want to invest time and emotion into a movie or play where they'll spend two hours rooting for the lovable loser to triumph only to watch them represent their life in its entirety and fail. There's a simple rule, "People only give a fuck about Cinderella because she got to the ball."

  • Cool Runnings is a great example of this rule. Even though people knew the ending going in and how the Jamaican Bobsled Team will crash and burn harder than a White trash, trailor park meth head taking college level calculous people still expected them to win and were dissapointed when they wrecked. People want the underdog to win. This is why "Dodgeball: A True Underdog Story" has the ending it does with Ben Stiller making fun of movie going audiences. People don't want to go to a movie and pay $20 to watch a group of pot smoking, underdog Rastas embarrass themselves and their families for generations to come by hitting an ice-wall at 80mph. Audiences want movies like Miracle where the underdog, 1980 US Hockey Team comes out of no-where and whips the Shit out of the heavily favored Russian team.