Alan Moore

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Filthy hippy.

Alan Moore is a cantankerous mentally-unbalanced British anarchist-wizard who authored supposedly "epic shit" including From Hell, The League of Extraordinary Gentlemen, Lost Girls, V for Vendetta, Watchmen and Swamp Thing. While he is generally regarded by comic book nerds as the greatest writer ever, he has also been the center of lulzy incidents involving the debate of creator's rights and fistfights with other writers of the comic book media, particularly Frank Miller and Grant Morrison, who, interestingly enough, are writers of likewise batshit insane nature as him.

Also, if you are going to criticize Alan Moore's works in the Internet, be ready to be brutally assaulted by his horde of white-knight fans.

A Brief Resume of His Career

Moore already started out his career with mind-boggling works such as The Ballad of Halo Jones, which is about the bizarre misadventures of some chick in a dystopian future with her cyborg dog; Captain Britain, in which a British clone of Captain America fights against an insane English politician who can warp reality into a cesspool of non-sensical shit; and Marvelman (which was later changed for Miracleman because Marvel Comics threatened to sue the company of that comic for simply using the word Marvel), where he basically shows what would happen if Superman abused his powers to the extent he would cause a massive carnage. His breakthrough in the comic book industry finally came with V for Vendetta, in which he explored his controversial political views with the adventures of a terrorist that went around exploding buildings and killing fascists while wearing a Guy Fawkes mask. This comic also spawned a generation of retards who believed that wearing a Guy Fawkes mask in public would make them feared by conservative fags just like Moore's hero.

Astonished with Moore's talent, DC Comics decided to hire him so he could use his mind-screwing stories in DC's iconic characters such as Superman, Batman and Swamp Thing. In 1986, Moore reached the peak of his career with Watchmen, which to this day is constantly mentioned by comic book geeks as the landmark of the comic books the source of countless unfunny memes featuring Watchmen character Rorschach. However, Moore didn't have a chance to taste the success of his work, as eventually he would get in a messy dispute with DC for the ownership of Watchmen. Obviously, the sneaky jews DC are, Moore lost all the rights of his comic, which let him utterly bitter with the comic book industry in America. This didn't stop of releasing other works such as From Hell, but this time he was smart enough to publish them in minor companies that certainly wouldn't treat him as an expendable insane hippie.

Before Watchmen

In 2012, DC Comics managed to outrage Moore again by announcing the release of the series Before Watchmen, their latest blatant attempt to cash out of Moore's characters. Mr. Moore is already angry enough with the way how DC exploited Watchmen over the years, but this recent turn of events seems that hit the high point of Moore's angry meter, as his below comment shows:

	“	My reaction [to the prequels] is a certain degree of weary contempt -- It’s gone beyond anger. It’s almost tragically comical. It’s commerce over art. I’m proud of the work I did on Watchmen, but it’s surrounded by such a toxic cloud of memories. I wish I didn’t have to go through them. I don’t even have a copy of the book in the house.	„

Moreover, Moore showed to be strongly disapproval to anyone who agrees with the idea of Before Watchmen. He even burned bridges with his long-time friend and Watchmen artist Dave Gibbons because Gibbons accepted the offer of being a creative consultant in the Watchmen prequels, and harshly criticized the readers who thought in buying those comics.

“	I have to say that if you are a reader that just wanted your favorite characters on tap forever, and never cared about the creators, then actually you’re probably not the kind of reader that I was looking for. I have a huge respect for my audience. On the occasions when I meet them, they seem, I like to think, to be intelligent and scrupulous people. If people do want to go out and buy these Watchmen prequels, they would be doing me an enormous favor if they would just stop buying my other books. When I think of my audience, I like to have good thoughts and think about how lucky I am to have one that is as intelligent as mine and as moral as mine. [...] The kind of readers who are prepared to turn a blind eye when the people who create their favorite reading material, their favorite characters, are marginalized or put to the wall — that’s not the kind of readers I want. So, even if it means a huge drop in sales upon my other work, I would prefer it that way. I mean, there’s no way I can police this, of course. But, I would hope that you wouldn’t want to buy a book knowing that its author actually had complete contempt for you. So, I’m hoping that will be enough.	„

The comment also seemed that divided the community between nerds who agreed with Moore's opinion and nerds who felt butthurt that their British comic god is bashfully disapproval of them if they consider to buy the Before Watchmen comics. There was also another faction who didn't agree with Moore's words, this group mostly basing their opinions on the fact that most of Moore's characters are based in characters that were created by other people, so he would come across as a huge hypocrite for criticizing other creators for using his characters:

	“	Yeah, I will not be buying Watchmen. The professionals who worked on it are scabs. If you are buying it, you are a scab.	„
	—Stuart

	“	I find these statements more insulting to other creators than to the fans. So we are immoral if we want to support a new comic by, for example, Darwyn Cooke? That’s ridiculous.	„
	—Neal K

	“	Id agree with what he said if he hadn’t ever written Lost Girls and League of Extraordinary Gentlemen. So, fans of Stevenson, Wells, Barrie, Carroll, Stoker, Baum and Doyle should… go Fuck themselves then?? Because I’m fairly certain at least ONE of the above authors would be a might upset with certain aspects of Moore’s work on characters he didn’t create.	„
	—Nic

	“	Siegel and Shuster got screwed over the rights to Superman. Alan Moore earned income by writing Superman stories. Just throwing that out there.	„
	—Cory Arsenault

Previous Quote | Next Quote

Attitude to Moralfags

Alan Moore is known for being a reasonable man.

Alan's final form

In 2009, London Anon member Drunk Jedi managed to corner Moore in Forbidden Planet and asked him how he felt about the EFG mask being used by various causes.

Being a gigantic egofag, Moore flounced self-importantly about how OBVIOUSLY he hates all the movies based on his work and weeps orphans' tears over every (or ever other) million dollars they make him, and how objectionable it was that Anon was using MOVIE LICENSED MERCHANDISE masks for their IRL raids.

What, does he want us all to look like this?

He did, however, admit pride at how his work had become a universally adopted symbol of the angry, anonymous body politic. This has been analysed by scientists at Lolledge U as both unspeakably faggy, and kind of cool.

Take it how you like it.

See Also

• Neil Gaiman

External Links

• The Mindscape of Alan Moore
• Alan Moore on fans who buy Before Watchmen

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